February 2011

Wednesday, February 16, 2011

Pokemon Doujinshis Online

Carlino

A little Pug in a classic pose of this very nice dog!

www.ilsassonelpozzo.it

Is There A Replacement For Polaroid Film?

Hello!

some days I do not write more on the blog but since the little GG you wait a bit ... let's kill 'time!

And the weather here .... it's raining, snowing ... at least there is the mist!

Yesterday got the new catalog Unopiù, just happens to Bean because we are all thinking 'construction of our garden / patio / barbecue area and pizza for next summer! The last'anno we used a low coffee table and a small little but now it is time to get serious!

The table is my obsession for a year .... but I think I found something I like!

Two or three models are pretty good!

Yes, yes!

This, too, with the marble top is not bad .... but it is already not my style ....

And then the sun: the model Amelie I love it!

I would also like a couple of pots of cast iron style Medici, to be placed above the columns of our old brick gate. These are beautiful!

A nice étagère would be very convenient ....

And what a beautiful greenhouse / conservatory?
But that's another story!

See you soon, hopefully with a nice photo of GG!

Among

Monday, February 14, 2011

Left Ear Ringing Myth

Beware of the kitten ....

Stone Bedonia

cm.19, 5x10, 5

Fully customizable!

www.ilsassonelpozzo.it

How Do I Apply For Aninternship Atdef Jam Records

We are pleased to have you (us) paper

Following the successful trilogy of competitions dedicated to experimentation on the language of comics, which ended with the publication anthology Flasfumetto.it - \u200b\u200bYouth in competition published by Catch-22, the Youth Project - Area liveability of the City of Bologna , under the Local Plans Young - Metropolitan Cities , promoted and supported by the Department of Youth - Prime Minister , in collaboration with the ' ANCI - National Association of Italian , invites young artists to participate the competition " We are pleased to have her among us. Tales of Stefano Benni comic "promoted by www.flasfumetto.it , in collaboration with Hamelin Associazione Culturale , with the aim of promoting youth creativity, give visibility to young people and the emergence of new talent generations of artists. This year
Flashfumetto renews its collaboration with the festival BilBOlbul , for its fifth edition (in Bologna 2 to 6 March 2011) will have as its theme the relationship between literature and comics. For this reason, it requires participants to confront the work of a great Bolognese writer, Stefano Benni, especially with three collections of short stories representative of his career as a narrator, since the 80s to today.
Participants should adapt a comic story in a story chosen from those contained in the following collections: The bar under the sea (Feltrinelli, 1987), The last tear (Feltrinelli, 1994) The grammar of God (Feltrinelli, 2007).
The comic book will be a faithful adaptation of the text or rereading of Benni, or an original short story which is based on a character or a situation described in the anthologies listed.

S.

Thursday, February 10, 2011

Why Does A Neutral Wire Have Current On It?

Volta in L'Aquila

Cartiera of Vetoio (L'Aquila)

25 to 29 May 2011 Wednesday, May 25

Antique papers tell - a day dedicated to the ancient book

Speakers Piero Dorfles, Umberto Longo

Thursday, May 26

Legal - mind - discussion and debate on the issue of legality

Speakers Andrea Camilleri, Donato Carrisi, Alessandro Limena

18.00 TEATRO CIVIL Daniel Biacchessi

Friday, May 27

From tradition leading to normal - Women and Literature

Speakers Dacia Maraini, Daria Bignardi, Paola Calvetti

AFTERNOON CONCERT Silvia Manco (piano and vocals): Frida Kahlo, portrayed in music a "pasionaria" life

Saturday, May 28

Departures and returns: Rethinking Borders - comparing the old and new migrations

Speakers Walter Siti, John Hooper

Sunday, May 29

Roots in flight - meetings on environment and land

Joseph Marino, Mauro Corona Maurizio Maggiani

WOMEN OF CARD: "book people" will read excerpts from books by Edizioni Arkhé

NATURE THEATRE: O thiasos in "Myths of water" (from Ovid's Metamorphoses), a text written and narrated by Brahmins Sista - music written for viola and starring Camilla dell'Agnolo

there is also an interesting contest

M.

Wednesday, February 9, 2011

Samantha 38g Free Full Movies

Giveaway Stones to P'Arte

The beautiful hearts for grabs by Ernestina Blog Sassi to P'Arte

hope .... : O)

Tuesday, February 8, 2011

Heads In Different Hairstyles

Beware of the cat ... fierce!

slate plate 16x13, 5 cm.

customized with a portrait of your dog or cat.

Any size!

www.ilsassonelpozzo.it

Monday, February 7, 2011

Where Do The Wwe Divas Buy Clothes

Dachshund on stone

This puppy is still bassottina the model for the course of painting on rocks by the end of February Gogolandia La Spezia.

www.ilsassonelpozzo.it

Friday, February 4, 2011

A Red & White Wire With Headphone Jack

My project of the week. My project, this week.

Good afternoon!

As you know by now all / i, I'm home on maternity leave, waiting for the little GG decides to come to know e. ..

I just can not stand with folded hands, you know?

I mean .... yes, it is true that I read, I follow your wonderful blogs, chatting, dozing a bit 'but without manual tasks just do not feel we know!

I'm full of ideas, enthusiasm, desire to revolutionize home!

Dear me!

Last week it was the turn of the pantry and this week, you say?

Well ..... I "refreshed" a belief that belonged to my paternal great-grandparents (who will see in the picture), a "cupboard" to those of the past: beautiful and impressive!

The restorer has placed very well but the finish was too dark wood too linear ... ... and so, I our army of mythical decorative white wax and the effect décapé I started to work!

Yes, now I like soooooo more! Very much!

I hope you like it too.

nice weekend! !

Among

Thursday, February 3, 2011

Wording For Fashion Show Invitations

publisher or self?

We carry some articles you read around the net on a very sensitive topic of discussion these days in Italy, that sooner or later anyone involved creating artwork for editorial purposes, that is comic, Illustration fiction, poetry or other ...

E 'self-produce their best work or stay current with the rules of the publishers?

Emiliano Mammuccari thinks so:

So what should you do to start making comics?

I am a bit 'too young to give advice, but after thirteen years in a job I would give it to you:

Do as you did once. Do what you do in America, or Japan. Do as they do their and their .

Put your face.

You two, three, four? open a VAT as a cultural association (it costs about 150 €) and autoproducete your material. Take a stand at trade shows, and selling 200 copies the self-styled "small publisher" to do with Lucca and Naples Comicon.

So if you work for free at this point you do something to be proud of.

the full article here and read

on the same line is Roberto Recchioni addressing the issue in three very interesting articles:

Reasoning :

the bulk of sales of this kind of products is made to the shows (to be honest: do you Lucca) and is represented by a sold between 300 and 600 copies. 1000 if you ass or names.

So produciamocele these copies alone, and especially vendiamocele alone.

At trade shows, first, perhaps taking advantage of joint ventures with other authors to share the costs of the stand.

organizing meetings in libraries with small tour in Italy (you can do if you agreements with libraries).

doing promotions on the web and followed it by himself, without relying on often distracted (or worse) press officers.

participating in cultural events.

And so on.

the full article here and read

Recchioni interview Lorenzo Ceccotti also in art LRNZ returned from self-produced two proposals brought to Lucca Comics this year:

Now, it is clear that the example does not lead the market.

But do we understand each other: the advance from the publishers of mid-level, is around 1000-1500 € (at best) for volumes of 100 pages or more. They do between 10 and 15 euro per page for a job that will require at least three months of hard work (if the cartoonist is fast).

Lorenzo, Doctor H has invested € 500 and 20 copies sold the investment is returned entirely on the volume. He has remained in the hands of 60 copies. If he sells all at full price (and that it takes to sell 60 copies of a book?) Will enter into the pocket clean € 1500, will not have to share with anyone and generated by a product entirely managed by him. In essence, with only 80 copies print run has earned the same money that would come from a publisher "real", not giving the rights to anyone, not according to having to make compromises, running alone every aspect of his work.

All this with a version that required a total of three days (a far cry from those two months in advance that, on average, need to work to a publisher volume).

And keep in mind that LRNZ moved with a minimum print run, not doing any planning and without any promotion, having its only his talent and his experience (and the stand of SUPERAMICI , of \u200b\u200bwhich is a founding member, where it can sell its products, of course). What could be done if you decide to mettercisi seriously?

And what you do, you?

the full article here and read

and finally (temporarily) the able Robert explains in the third intervention, the modus operandi of small / medium publishers

How to fulfill these tasks the publishers of small and mid-level, specialized in selling through bookstores and comics? Let's see, point by point.

- Existence

advances with sales ranging from little to nothing and with the promise of future royalties if a comic book sells well (which happens to be good, once out of ten) I would say that this condition is not met.

- Finished Product

depends on who works here. There are publishers who make a real improvement to your work (with a serious work of editing) and publishers who deliver what they slaughtered. In the previous post only to point out that getting it all yourself is not difficult. And not too expensive.

- Visibility.

Again, it depends on who works. Your publishing house has a press office? It 'a good press office or simply send a couple of e-mails and Comicus Mangaforever? As you follow the press office? For months, weeks or days? Again, if you do everything yourself, you can do well (if not better) for many publishers.

- Distribution.

The kind of products we are talking about selling between 300 and 1000 copies (when it goes very well). The cases that come out of this fork are indeed cases. To move a small number of copies so there really need to go through distribution channels that can be eaten half the cover price? And indeed, a similar distribution is a value that an author can not get it myself? The figures we are talking about do not guarantee distribution. Are sales of condos that any of us could get by selling its books door to door (read: internet, trade fairs or meetings in the library).